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Chamber Music - Opera - Music/Theatre

In 2007, my friend Alice Ripley and I collaborated on a motet
for 8 voices, inspired by the astonishing work and life of the
great artist 
Ana Mendieta.  We previewed the piece at an LA Composers Forum, then KYRIE-MERCY-ANA M had its
world premiere in 2023 thanks to HEAR NOW and Hex
Ensemble as part of the California Festival -
 click for details

with Alice Ripley, preview presentation -

ACF/LA (2007)​

video-demo recording -

concert recording video coming soon!

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Premiere of KYRIE-MERCY-ANA M - California Festival, 2023

Hex Ensemble, Molly Pease, soloist - Fahad Siadat, conductor

new chamber-music/theatre piece -

text by Samuel Beckett 

​In 1980, Samuel Beckett gave me permission to set his IMAGINATION DEAD IMAGINE to music.  This is one of my most personal  compositions, an opera of sorts for string quartet and laptop, wherein the players in the quartet respond, akin to a Beckett play, to an onslaught of recorded voices. Premiered in 2017, supported by an ACF/LA Subito Grant & Indiegogo click here for details, a video, and a demo.  

THEIR THOUGHT AND BACK AGAIN

 

Chamber Opera (1993-98)

"Songs that one could imagine Charles Ives composing had he lived long enough to encounter rock-and-roll and beat poetry," was American Theatre Magazine's response to THEIR THOUGHT AND BACK AGAIN.  Music-Web International called it "something Hunter S. Thompson might have experienced after taking mescaline."  Hailed as "a masterpiece" by both the classical critic at the San Diego Reader and the pop critic at the Union-Tribune, a "highly original work that defies categorization" by Opera Journal, and praised for its "memorable tunes and unpretentious lyricism" by Opera News, THEIR THOUGHT is a chamber opera or song-cycle for two singers, six dancers, string quartet, and piano. Originally a collaboration with choreographer John Malashock and his dancers, the story (I call it my version of Bernstein's WONDERFUL TOWN) concerns two women who come to a place (a town) where dancers are, and after a time, they stay there. The lyrics are derived from William Burroughs-style cut-ups. The CD, featuring Roxane Carrasco and Celeste Tavera, was recorded by Peter Sprague, and I put together a series of collage-like music/videos to post the music in YouTube.  To see those videos and hear the opera, and for more information, including the libretto, a video of William Burroughs, the Los Angeles Times feature article, and the American Theatre Magazine review by Stephen Nunns, 

please see this page.

 

STREICH

winner - American Composers Forum/LA competition (2009)

STREICH SLIDESHOW/MUSIC VIDEO

 

 

STREICH IS THE THIRD IN A SERIES OF

RAGS FOR CHAMBER ENSEMBLES:

1 - RAG FOR FIVE INSTRUMENTS (1982)

violin, oboe/e. horn, clarinet, bassoon, trombone

click here for the score

2 - NO END TO STAND ON - RAG FOR THE NEW YORK QUINTET (1983, rev 2021)
  marimba, percussion, clarinet, flute, double bass

click here for the score

3 - STREICH - RAG FOR FLUTE QUARTET (1988, revised 2009)

flute, violin, viola, cello

click here for the score

STREICH IS THE THIRD IN A SERIES OF

RAGS FOR CHAMBER ENSEMBLES:

American Composers Forum/LA Salon, with, clockwise, Alex Shapiro, Gernot Wolfgang,

Giovanna Imbessi (RIP), MR, Randy Newman, Bei-Bei He, Kubilay Uner, Drew Schnurr

This older video uses an older STREICH demo, with digital/piano sounds making the
Nancarrow influence clear - I'm fond of the recording, even if fast for actual instruments . .

ADDITIONAL COMPOSITIONS, WORKS IN PROGRESS

​​MORNING ARGUMENTS - AN OVERTURE - FOR STRING OR SMALL CHAMBER ENSEMBLE



​TO SPITE YOUR FACE - INSPIRED BY "CHINATOWN" - FOR TUBA ENSEMBLE OR TUBA & LOOPER

​​JUDGE NOT - OPERA, TEXT BY NELL BENJAMIN - FOR SINGERS, STRING QUARTET, PERCUSSION

 

​FROM FRAMMENT AZIONI​ - MUSIC FOR AN ITALIAN RADIO FILM/DANCE EVENT (2008)

A STREETCAR - FOR SOPRANO SAXOPHONE, STRING QUARTET, PERCUSSION, RECORDED VOICE

 

UNTITLED DUET - FOR RECORDED VOICE, ELECTRONICS - DANCE BY JEAN ISAACS, 3'S COMPANY

 

THEME FOR A FUTURISTIC MOVIE - EARLY PIANO PIECE RECORDED BY GEORGE WINSTON (rip)

   early music theory exercise - also used for a dance piece (1983) and in recital; available via iTunes

DYNAMITE TONIGHT -TWO PIANO ADAPTATION OF AN OPERA BY WILLIAM BOLCOM 



FOR PERUSAL SCORES, DEMOS, ADDITIONAL PIECES AND MORE INFORMATION, PLEASE CONTACT THE COMPOSER​

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